Do you need an editor? Most experienced writers and almost every entrepreneur who wants a credibility-boosting book will say, “Absolutely!” However, I’m still astounded at the number of people who feel having friends look over the book or edit their own work is enough. Some of them may be afraid someone else will steal their idea (let me save you the worry, your general idea has probably been done before) and others may have serious budget limitations. Here are three ways to get your book edited at next to nothing, and three things to ask an editor before you hire them:
Creative Editing on a Budget:
Friends & Family—Yep, I’m putting this in here. Because while friends and family shouldn’t be the only sets of eyes that see your manuscript prior to publishing, objective feedback is still essential. If you have a friend or family member you know will give you honest feedback, by all means, lend them your manuscript.
College Interns—A little-tapped resource, universities are full of students wanting real-world experience. Call your local college and ask to speak to an English professor. You can get a Junior or Senior English major to review your manuscript for next to nothing. Some will even do it as an internship purely for the real-world experience (ie: free).
Your Old Teacher—My grandmother was a high school English teacher for over 30 years. I had her proof read my very first manuscript, and of course it came back marked up. If you have relationships with teachers who taught English at your old school, college, or even your kids’ teachers, ask one of them if they’d like to proof read your book.
Keep in mind these creative methods to finding editors should not be substituted 100% for professional editors who make it their life’s work to polish manuscripts. This is why you should still seek out a pro to give your manuscript that final once-over, and here are key questions to ask a potential editing pro to make sure you’re getting a good one:
Em vs. En—If an editor can’t tell you the difference between an em dash and an en dash, run away. An em dash (—) replaces a comma, or pause, in a sentence. I use them a lot. 🙂 An en dash (–) replaces the word “to” in lists, such as in a range of numbers: 1994–2012. Note: neither of these is a hyphen. This is one major key to make your book appear traditionally published and compete in the traditional book selling world, even though it may be self-published.
Serial Commas—Book editing should follow the guidelines of the Chicago Manual of Style, as most traditional publishers do. These guidelines include the use of what’s called a “serial” comma. Due to the amount of space in a book and the typical reader’s time spent with their nose between the pages, you need to put in more breaks, or breathing areas. A comma gives your reader permission to breathe. In AP style, the style guide typically used in journalism, magazine publishing and online articles, there is no use of a serial comma. This is due in part to the lack of available space, attention spans of the readers or the lack of needing to include extra pauses for someone reading one page vs. a 25-page chapter. In a short AP style article, a serial comma would not appear before the word “and” in a list, such as: red, white and blue. But in a CMS style book, the comma would appear before the word “and,” such as: red, white, and blue.
Heading Caps—In books, usually chapter titles and subheadings follow the CMS guideline of heading caps. This means all words in a title or subheading are capitalized, except prepositions. For example, my book title 21 Ways to Write & Publish Your Non-Fiction Book has every word capped except the word “to.” If I spelled out the word “and” in the title, it would also appear uncapped. This rule can be broken, depending on the personality of the book, but a professional editor should know what it means.
Having multiple sets of eyes on your manuscript is important. The average typo for even a traditionally published book is one typo per every four pages. Traditional publishers usually have about four different editors each reading the manuscript twice, not to mention the author or any editors the author had look over the manuscript before it was accepted for publishing. If you want your book’s quality to compete in this dog-eat-dog marketplace, you should get your book professionally edited once—at bare minimum.
Contact The Ultimate Book Coach team if you’re interested in our a’la carte professional editing services. We have a team of editors standing by, ready to make your work shine far above your competition!